We are incredibly honored to be featured on Edgar Allan Poets, a platform that truly appreciates the darker, more cinematic side of rock. They described our self-titled debut as a “refreshing blend of alternative rock” that seamlessly bridges nostalgia with a forward-thinking edge.
Noir Vibes and Late-Night Cinematic Soundscapes
The review took a track-by-track journey through the album, offering some hauntingly accurate descriptions of our sound:
“Never Good Enough”: Cited for its “noir vibe” and late-night, cinematic feel—the perfect companion for quiet drives through empty streets.
“Every Single Day”: Highlighted for the contrast between its upbeat melody and the “deeper emotional territory” of its lyrics.
“Waterfall”: Recognized for its alternative rock edge and a touch of grunge, with a dystopian mood reminiscent of bands like Muse.
“Driftin'”: They loved the “70s-inspired drum groove” and the “psychedelic vocal harmonies” that give the track its unique character.
“Pandemonium”: Compared to the folk-rock rhythm of R.E.M. (specifically “Losing My Religion”), blending alternative rock with folk influences.
“Reaper”: One of the reviewer’s favorites, noted for its “driving groove” that hints at Depeche Mode’s darker moods, layered with Pink Floyd-esque textures.
A Unifying Finale
The feature beautifully describes our closer, “Open Up,” as a psychedelic ballad that leaves listeners on a note of “communal relief and celebration.” The repeated “La La La” chorus was highlighted as the perfect way to invite everyone into the journey we’ve created.
Meticulously Crafted
A huge thank you to the “Noir Family” at Edgar Allan Poets for acknowledging the work we did at The Garudio in Thousand Oaks. From our own recording sessions to the final mix with Curt Piar, we poured everything into making a record that is “both thought-provoking and emotionally resonant.”