Album Of The Week - The Daytime High https://thedaytimehigh.com The Daytime High Tue, 16 Jun 2026 17:19:58 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://i0.wp.com/thedaytimehigh.com/wp-content/uploads/2024/08/cropped-ICON.png?fit=32%2C32&ssl=1 Album Of The Week - The Daytime High https://thedaytimehigh.com 32 32 214880058 ROTW: Monster Magnet – Dopes To Infinity https://thedaytimehigh.com/rotw-monster-magnet-dopes-to-infinity/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-monster-magnet-dopes-to-infinity Sat, 13 Jun 2026 15:00:32 +0000 https://thedaytimehigh.com/?p=6901 Read more at The Daytime High

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Welcome back to another edition of The Daytime High’s Record of the Week. This week, we are plugging into a stellar high-water mark of stoner rock: Monster Magnet’s 1995 masterpiece, Dopes To Infinity.

This album marked the end of an era, serving as the final record of Monster Magnet’s initial, unadulterated space rock/stoner rock period. Following this release, the band would streamline their sound and image into a more generalized heavy metal style in an attempt to capture a wider commercial audience. But for many fans, Dopes To Infinity remains their absolute creative summit.

Black Sabbath heavy riffs and Hawkwind space jams

If your musical DNA includes a healthy dose of Black Sabbath heavy riffs and Hawkwind space jams, all twisted up with postmodern cynicism and 1960s garage psych, this album was tailor-made for your speakers. Frontman Dave Wyndorf is one of the most criminally underrated songwriters and producers in rock. While every Monster Magnet album boasts some fantastic tracks, Dopes is where the band’s sprawling, psychedelic, heavy vision completely locks into place.

Monster Magnet – Dopes To Infinity

Standout Tracks to Spin:

Ready to blast off? Turn the volume all the way up for these specific highlights:

  • “Dopes To Infinity”

  • “All Friends And Kingdom Come”

  • “Negasonic Teenage Warhead”

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ROTW – The Jimi Hendrix Experience – Electric Ladyland https://thedaytimehigh.com/rotw-the-jimi-hendrix-experience-electric-ladyland/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-the-jimi-hendrix-experience-electric-ladyland Mon, 01 Jun 2026 16:19:46 +0000 https://thedaytimehigh.com/?p=6884 Read more at The Daytime High

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Welcome back to another edition of The Daytime High’s Record of the Week. This week, we are looking at an absolute milestone in rock history and studio exploration: Electric Ladyland by The Jimi Hendrix Experience.

The original Experience lineup

As the third and final album to feature the original Experience lineup, the record was captured mostly in America in between tour dates. The sessions are legendary—so much so that original producer Chas Chandler actually quit early on, frustrated by Hendrix’s desire to endlessly jam and experiment in the studio. Because of that shift, Electric Ladyland became the first album produced by Hendrix himself, working closely alongside the legendary engineer Eddie Kramer to capture his vision.

the jimi hendrix experience – electric ladyland

Back in 1968, there had simply never been a rock album with this level of depth and scope. It is a towering artistic achievement that truly has it all: R&B grooves, blistering rock, sprawling blues jams, an iconic Bob Dylan cover, and even a 15-minute sci-fi epic about living underwater after a nuclear war. As musicians who love getting lost in studio textures and finding the right tones, this record stands as the ultimate blueprint for creative freedom.

Standout Tracks to Spin:

There is a lot of ground to cover here, but make sure you don’t miss these highlights:

  • “Crosstown Traffic”

  • “Burning Of The Midnight Lamp”

  • “Voodoo Child (Slight Return)”

  • “1983… (A Merman I Should Turn to Be)”

Read more at The Daytime High

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ROTW – Prince And The Revolution – Purple Rain https://thedaytimehigh.com/rotw-prince-and-the-revolution-purple-rain/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-prince-and-the-revolution-purple-rain Sat, 23 May 2026 12:53:28 +0000 https://thedaytimehigh.com/?p=6854 Read more at The Daytime High

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Record of the Week: Prince And The Revolution – Purple Rain

Welcome back to The Daytime High’s Record of the Week. This week, we’re throwing it back to 1984 with an absolute juggernaut: the soundtrack to Prince’s first full-length film, Purple Rain.

prince purple rain

It is hard to overstate just how massive this album was upon its release. While Prince already had a brilliant catalog, Purple Rain features arguably his most accessible and universally celebrated material. What makes this record stand out from a performance standpoint is the collaborative energy. Prince opened the floor to contributions from his backing band, The Revolution, far more than he had in the past—most notably on the last three tracks of the album, which were actually recorded live.

The combination of elite songwriting and undeniable musicianship on this record is breathtaking. Whether you’re listening to the intricate arrangements or the blistering guitar solos, this is the exact moment the entire world got to know the sheer, unfiltered genius of Prince.

Standout Tracks to Spin:

If you are diving back into this masterpiece, turn it up for these highlights:

  • “Let’s Go Crazy”

  • “Computer Blue”

  • “Darling Nikki”

Read more at The Daytime High

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Record of the Week: The Kinks Are The Village Green Preservation Society https://thedaytimehigh.com/record-of-the-week-the-kinks-are-the-village-green-preservation-society/?utm_source=rss&utm_medium=rss&utm_campaign=record-of-the-week-the-kinks-are-the-village-green-preservation-society Sat, 16 May 2026 17:22:37 +0000 https://thedaytimehigh.com/?p=6845 Read more at The Daytime High

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Record of the Week: The Kinks Are The Village Green Preservation Society

Welcome to this week’s Record of the Week! We are diving into a true classic that took a little time to find its rightful place in rock history: The Kinks’ sixth studio album, The Kinks Are The Village Green Preservation Society.

When it originally dropped in 1968, the album wasn’t exactly a commercial smash. However, time has a funny way of revealing true genius. In the years since its release, it has become universally critically acclaimed and served as a massive, undeniable influence—particularly in shaping the sound of the 1990s Britpop scene. You can easily hear the DNA of this record in bands from Blur to Supergrass.

Ray Davies' Brilliance

What makes this album so enduring is Ray Davies’ brilliant, narrative-driven songwriting. It plays like a loose concept album centered around the charm and quirks of traditional British life. In an era that was heavily dominated by sprawling, psychedelic freak-outs, The Kinks opted for a beautifully direct production style. That refreshing clarity is exactly why it remains such a satisfying listen today. It simply never goes out of style.

Standout Tracks to Spin:

If you are diving in or revisiting the record, make sure to pay special attention to these highlights:

  • “Picture Book”

  • “Big Sky”

  • “Animal Farm”

The Kinks Are The Village Green Preservation Society

Read more at The Daytime High

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ROTW – The Stooges – Funhouse https://thedaytimehigh.com/rotw-the-stooges-funhouse/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-the-stooges-funhouse Sat, 31 Jan 2026 12:00:58 +0000 https://thedaytimehigh.com/?p=6571 Read more at The Daytime High

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Record of the Week: The Stooges – Funhouse

Before the safety pins and the mohawks of the late 70s, there was Iggy Pop and The Stooges. While they are rightfully celebrated as the godfathers of proto-punk, their second album, Funhouse, proves they were much more than just a loud garage band.

Raw Energy Captured Live

Recorded at Elektra Studios right here in Los Angeles, Funhouse wasn’t built through meticulous overdubbing. The band recorded the album live, focusing on one song per day to capture the raw, unhinged energy of their live performances. The result is an album that feels dangerous, intense, and dripping with attitude.

A Fusion of Chaos

What makes Funhouse a masterpiece is its sonic depth. Beyond the iconic riffs, you’ll find a swirl of psychedelic exploration and, in tracks like “L.A. Blues,” a stark free-jazz influence that pushes the music into the stratosphere. It’s a primal scream captured on tape—a sonic blueprint for every “alternative” movement that followed.

Essential Listening

If you want to experience the power of The Stooges at their peak, start with these highlights:

  • “Down On The Street”: A heavy, grooving opener that sets a gritty urban tone.

  • “Loose”: Pure, high-octane rock and roll energy.

  • “TV Eye”: Featuring one of the most ferocious vocal performances and guitar riffs in history.

💿 Get Loud with The Daytime High

Influenced by the raw spirit of the greats, the debut album from The Daytime High is out now! We’re keeping the DIY energy alive with our own blend of heavy riffs and modern melody. Give us a listen and let us know what you think.

Listen here:

Read more at The Daytime High

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ROTW – Joy Division – Closer https://thedaytimehigh.com/rotw-joy-division-closer/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-joy-division-closer Sat, 24 Jan 2026 12:00:52 +0000 https://thedaytimehigh.com/?p=6556 Read more at The Daytime High

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Record of the Week: Joy Division – Closer

Choosing between Joy Division’s two full-length studio albums is nearly impossible; both are absolute masterpieces of post-punk perfection. However, Closer—released shortly after the band’s tragic end—remains one of the most powerful and atmospheric records ever pressed to vinyl.

 

The Sound of Post-Punk Perfection

A huge part of the album’s haunting legacy is due to the legendary production of Martin Hannett. His techniques were unique and evocative, creating a cold, spacious soundscape that felt light-years ahead of its time. Interestingly, despite the album’s status today, some band members initially wished for a rawer, “Sex Pistols” style energy. Instead, Hannett’s vision gave us a sonic architecture that redefined alternative music.

Chilling and Timeless

The lyrics are haunting in any context, but knowing the tragic fate of singer Ian Curtis makes them that much more chilling. It’s an album that demands to be heard in its entirety, capturing a moment of profound artistic transition.

Essential Listening

While the album is a cohesive journey, these tracks stand as definitive highlights:

  • “Isolation”: A synth-driven track that masks deep loneliness with a driving, cold pulse.

  • “A Means To An End”: Featuring a relentless rhythm section and jagged guitar work.

  • “Twenty Four Hours”: A devastatingly intense performance that showcases the band’s raw emotional power.

💿 Discover The Daytime High

If you appreciate the moody depths of post-punk and classic rock, be sure to check out the debut album from The Daytime High! It’s our take on the sounds that move us, and we’d love for you to give it a spin.

Listen here:

Read more at The Daytime High

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ROTW – Can – Tago Mago https://thedaytimehigh.com/rotw-can-tago-mago/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-can-tago-mago Sat, 17 Jan 2026 12:20:49 +0000 https://thedaytimehigh.com/?p=6546 Read more at The Daytime High

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Hailing from Cologne, Germany, Can didn’t just make music; they constructed sonic landscapes. Their second studio album, Tago Mago (originally released in 1971), is widely regarded as their most influential work and a cornerstone of the “krautrock” genre.

The Art of the Hypnotic Groove

Recorded in a rented castle, Tago Mago captured a band at the peak of their improvisational powers. Featuring the legendary Damo Suzuki on vocals, the album blends experimental psychedelic instrumentation—reminiscent of Pink Floyd’s late-60s space-rock—with deep, metronomic rhythms.

It’s no surprise that this record has been sampled countless times by hip-hop producers and electronic artists alike. The seven tracks on this double album are designed to pull you into a trance, taking you straight into the stratosphere if you’re willing to let the groove take over.

Essential Listening

If you’re new to the world of Can, start with these highlights:

  • “Paperhouse”: A perfect introduction that builds from a gentle shimmer into a frantic, driving rock anthem.

  • “Mushroom”: Short, moody, and featuring a legendary beat that defines the band’s “minimalist” cool.

  • “Halleluhwah”: An 18-minute masterclass in funk-infused krautrock. It is, quite simply, one of the greatest rhythm tracks ever recorded.

🎵 Stay Tuned with TDH

Want to keep up with our weekly rotations? We’ve gathered all our favorites in one place. Check out our TDH Record Of The Week playlist on Spotify to discover more gems like this one!

Listen here:

Read more at The Daytime High

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ROTW – Ride – Weather Diaries https://thedaytimehigh.com/rotw-ride-weather-diaries/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-ride-weather-diaries Sat, 10 Jan 2026 12:00:38 +0000 https://thedaytimehigh.com/?p=6539 Read more at The Daytime High

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Record of the Week: Ride – Weather Diaries

TDH ROTW - Ride

After a hiatus spanning over two decades, the Oxford legends Ride didn’t just return; they reclaimed their throne. Their 2017 comeback album, Weather Diaries, stands as a monumental achievement, proving that the pioneers of shoegaze still have plenty of nectar left in the tank.

Bridging the Gap: From Nowhere to Now

For many fans, the “classic” era of Ride is defined by the ethereal textures of Nowhere and the propulsive energy of Going Blank Again. Weather Diaries serves as the spiritual successor to those records, successfully pulling their signature wall-of-sound into the modern era. Produced by Erol Alkan, the album strikes a perfect balance between the band’s shoegaze roots and a polished, contemporary rock edge.

The Standout Moments

While the entire record is a masterclass in atmosphere, a few tracks demand immediate attention:

  • “Lannoy Point”: A sprawling opener that sets the tone with its driving rhythm and shimmering guitar layers.

  • “Lateral Alice”: A short, sharp burst of energy that reminds us of the band’s grit.

  • “Rocket Silver Symphony”: A psychedelic journey that showcases the band’s growth and experimentation.

It’s rare for a band to return after 20 years with one of the strongest albums in their catalog, but Ride has done exactly that. Whether you’re a longtime “shoegazer” or new to the genre, this is essential listening.

Check Out The Daytime High

While you’re diving into the classics, don’t miss out on the fresh sounds from The Daytime High! Their self-titled debut album is officially out now, blending classic rock nostalgia with a modern DIY spirit. From the infectious pulse of “Every Single Day” to the moody depths of “Melting,” it’s a sonic journey you need to experience.

Listen here:

Read more at The Daytime High

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The Cure Kyoto Song (Cover by The Daytime High) https://thedaytimehigh.com/the-cure-kyoto-song-cover-by-the-daytime-high/?utm_source=rss&utm_medium=rss&utm_campaign=the-cure-kyoto-song-cover-by-the-daytime-high Thu, 08 Jan 2026 11:00:02 +0000 https://thedaytimehigh.com/?p=6526 Read more at The Daytime High

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The Cure - Kyoto Song (cover by The Daytime High

We’re absolutely thrilled to finally share something we’ve been pouring our hearts into – our cover of The Cure’s hauntingly beautiful “Kyoto Song.” This track holds a special place in our musical journey, and we’ve loved diving deep into its atmospheric world to bring you our own interpretation.

| ORIGINAL SONG CREDITS || “Kyoto Song” — Originally performed by The Cure from the album The Head on the Door (1985). Written by: Robert Smith. All rights belong to the original songwriters and publishers.

 

|| COVER CREDITS || Performance & Production: The Daytime High

Record of the week from 1985

For those unfamiliar, “Kyoto Song” is a gem from The Cure’s 1985 album, “The Head on the Door.” It’s a song that perfectly encapsulates their unique blend of melancholic beauty, ethereal soundscapes, and deeply evocative lyrics. Robert Smith’s songwriting often paints vivid, almost cinematic pictures, and “Kyoto Song” is no exception, conjuring images of ancient traditions, quiet contemplation, and perhaps a touch of longing.

When we decided to tackle this one, we knew we had to respect the original’s delicate balance while still infusing it with The Daytime High’s signature sound. We aimed to capture that classic Cure wistfulness but also explore new sonic textures and emotional nuances. From the moment we started experimenting with the guitar pedals, Dr Robert and Diamond Tremolo, the create a cover that resembles the original but stamps our own personality on it. 

Link to the YouTube video 

Read more at The Daytime High

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TDH ROTW – Supergrass – In It for the Money https://thedaytimehigh.com/tdh-rotw-supergrass-in-it-for-the-money/?utm_source=rss&utm_medium=rss&utm_campaign=tdh-rotw-supergrass-in-it-for-the-money Sat, 03 Jan 2026 12:00:23 +0000 https://thedaytimehigh.com/?p=6476 Read more at The Daytime High

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TDH Record of the Week:
Supergrass – In It for the Money

In the mid-90s, the “Britpop” label was often a double-edged sword. For many bands, it meant a quick rise followed by an even faster “sophomore slump.” But for Supergrass, their second outing didn’t just avoid the slump—it redefined who they were as musicians.

Two years after their high-energy, punky debut I Should Coco, Gaz Coombes and the boys returned in 1997 with In It for the Money. While the title was a tongue-in-cheek nod to Frank Zappa, the music was anything but a cash grab. It was the sound of a band maturing in leaps and bounds, trading some of their “cheeky chappie” energy for a richer, more psychedelic landscape.

The Evolution of the Sound

Widely considered the absolute peak of their discography, In It for the Money captured a young, inspired band right in the middle of their ascension. The record leans heavily into late 90s psych-rock while keeping its Britpop heart beating.

What makes it stand out is the ambition. They decamped to Sawmills Studio in Cornwall with only two songs fully written, allowing the rest of the album to grow from late-night jams and studio experimentation. The result? A record that feels cohesive, textured, and surprisingly heavy.

Supergrass

The Essential Tracks

The Essential Tracks

  • “Richard III”: A snarling, riff-heavy monster. It’s arguably one of the best opening salvos of the era, featuring a menacing tone and a soaring falsetto that proved the band had teeth.

  • “Sun Hits the Sky”: A driving, euphoric anthem that showcases the band’s incredible sense of melody. It’s 50 million watts of pure sunshine filtered through a distorted lens.

  • “Going Out”: The swingiest moment on the album. With its blaring horns and infectious groove, it’s the bridge between their debut’s fun and this record’s sophistication.

Why It Still Matters

While many albums from 1997 feel like time capsules, In It for the Money still explodes with life today. It wasn’t just a collection of singles; it was a masterclass in British rock history—cramming in elements of The Kinks, The Beatles, and punk-pop into 43 minutes of perfection.

If you haven’t revisited this one lately, turn it up loud. This is Britpop at its most inspired and adventurous.


🎧 Listen to the classic: Supergrass – In It for the Money

 

Check out the debut from The Daytime High!
Looking for something fresh that carries that same indie-rock spirit? Our debut is out now.
Listen to The Daytime High

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