The Daytime High https://thedaytimehigh.com The Daytime High Mon, 02 Feb 2026 19:38:38 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.1 https://i0.wp.com/thedaytimehigh.com/wp-content/uploads/2024/08/cropped-ICON.png?fit=32%2C32&ssl=1 The Daytime High https://thedaytimehigh.com 32 32 214880058 ROTW – The Stooges – Funhouse https://thedaytimehigh.com/rotw-the-stooges-funhouse/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-the-stooges-funhouse Sat, 31 Jan 2026 12:00:58 +0000 https://thedaytimehigh.com/?p=6571 Read more at The Daytime High

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Record of the Week: The Stooges – Funhouse

Before the safety pins and the mohawks of the late 70s, there was Iggy Pop and The Stooges. While they are rightfully celebrated as the godfathers of proto-punk, their second album, Funhouse, proves they were much more than just a loud garage band.

Raw Energy Captured Live

Recorded at Elektra Studios right here in Los Angeles, Funhouse wasn’t built through meticulous overdubbing. The band recorded the album live, focusing on one song per day to capture the raw, unhinged energy of their live performances. The result is an album that feels dangerous, intense, and dripping with attitude.

A Fusion of Chaos

What makes Funhouse a masterpiece is its sonic depth. Beyond the iconic riffs, you’ll find a swirl of psychedelic exploration and, in tracks like “L.A. Blues,” a stark free-jazz influence that pushes the music into the stratosphere. It’s a primal scream captured on tape—a sonic blueprint for every “alternative” movement that followed.

Essential Listening

If you want to experience the power of The Stooges at their peak, start with these highlights:

  • “Down On The Street”: A heavy, grooving opener that sets a gritty urban tone.

  • “Loose”: Pure, high-octane rock and roll energy.

  • “TV Eye”: Featuring one of the most ferocious vocal performances and guitar riffs in history.

💿 Get Loud with The Daytime High

Influenced by the raw spirit of the greats, the debut album from The Daytime High is out now! We’re keeping the DIY energy alive with our own blend of heavy riffs and modern melody. Give us a listen and let us know what you think.

Listen here:

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]]> 6571 ROTW – Joy Division – Closer https://thedaytimehigh.com/rotw-joy-division-closer/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-joy-division-closer Sat, 24 Jan 2026 12:00:52 +0000 https://thedaytimehigh.com/?p=6556 Read more at The Daytime High

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Record of the Week: Joy Division – Closer

Choosing between Joy Division’s two full-length studio albums is nearly impossible; both are absolute masterpieces of post-punk perfection. However, Closer—released shortly after the band’s tragic end—remains one of the most powerful and atmospheric records ever pressed to vinyl.

 

The Sound of Post-Punk Perfection

A huge part of the album’s haunting legacy is due to the legendary production of Martin Hannett. His techniques were unique and evocative, creating a cold, spacious soundscape that felt light-years ahead of its time. Interestingly, despite the album’s status today, some band members initially wished for a rawer, “Sex Pistols” style energy. Instead, Hannett’s vision gave us a sonic architecture that redefined alternative music.

Chilling and Timeless

The lyrics are haunting in any context, but knowing the tragic fate of singer Ian Curtis makes them that much more chilling. It’s an album that demands to be heard in its entirety, capturing a moment of profound artistic transition.

Essential Listening

While the album is a cohesive journey, these tracks stand as definitive highlights:

  • “Isolation”: A synth-driven track that masks deep loneliness with a driving, cold pulse.

  • “A Means To An End”: Featuring a relentless rhythm section and jagged guitar work.

  • “Twenty Four Hours”: A devastatingly intense performance that showcases the band’s raw emotional power.

💿 Discover The Daytime High

If you appreciate the moody depths of post-punk and classic rock, be sure to check out the debut album from The Daytime High! It’s our take on the sounds that move us, and we’d love for you to give it a spin.

Listen here:

Read more at The Daytime High

]]> 6556 ROTW – Can – Tago Mago https://thedaytimehigh.com/rotw-can-tago-mago/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-can-tago-mago Sat, 17 Jan 2026 12:20:49 +0000 https://thedaytimehigh.com/?p=6546 Read more at The Daytime High

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Can - Tago Mago

Hailing from Cologne, Germany, Can didn’t just make music; they constructed sonic landscapes. Their second studio album, Tago Mago (originally released in 1971), is widely regarded as their most influential work and a cornerstone of the “krautrock” genre.

The Art of the Hypnotic Groove

Recorded in a rented castle, Tago Mago captured a band at the peak of their improvisational powers. Featuring the legendary Damo Suzuki on vocals, the album blends experimental psychedelic instrumentation—reminiscent of Pink Floyd’s late-60s space-rock—with deep, metronomic rhythms.

It’s no surprise that this record has been sampled countless times by hip-hop producers and electronic artists alike. The seven tracks on this double album are designed to pull you into a trance, taking you straight into the stratosphere if you’re willing to let the groove take over.

Essential Listening

If you’re new to the world of Can, start with these highlights:

  • “Paperhouse”: A perfect introduction that builds from a gentle shimmer into a frantic, driving rock anthem.

  • “Mushroom”: Short, moody, and featuring a legendary beat that defines the band’s “minimalist” cool.

  • “Halleluhwah”: An 18-minute masterclass in funk-infused krautrock. It is, quite simply, one of the greatest rhythm tracks ever recorded.

🎵 Stay Tuned with TDH

Want to keep up with our weekly rotations? We’ve gathered all our favorites in one place. Check out our TDH Record Of The Week playlist on Spotify to discover more gems like this one!

Listen here:

Read more at The Daytime High

]]> 6546 ROTW – Ride – Weather Diaries https://thedaytimehigh.com/rotw-ride-weather-diaries/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-ride-weather-diaries Sat, 10 Jan 2026 12:00:38 +0000 https://thedaytimehigh.com/?p=6539 Read more at The Daytime High

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Record of the Week: Ride – Weather Diaries

TDH ROTW - Ride

After a hiatus spanning over two decades, the Oxford legends Ride didn’t just return; they reclaimed their throne. Their 2017 comeback album, Weather Diaries, stands as a monumental achievement, proving that the pioneers of shoegaze still have plenty of nectar left in the tank.

Bridging the Gap: From Nowhere to Now

For many fans, the “classic” era of Ride is defined by the ethereal textures of Nowhere and the propulsive energy of Going Blank Again. Weather Diaries serves as the spiritual successor to those records, successfully pulling their signature wall-of-sound into the modern era. Produced by Erol Alkan, the album strikes a perfect balance between the band’s shoegaze roots and a polished, contemporary rock edge.

The Standout Moments

While the entire record is a masterclass in atmosphere, a few tracks demand immediate attention:

  • “Lannoy Point”: A sprawling opener that sets the tone with its driving rhythm and shimmering guitar layers.

  • “Lateral Alice”: A short, sharp burst of energy that reminds us of the band’s grit.

  • “Rocket Silver Symphony”: A psychedelic journey that showcases the band’s growth and experimentation.

It’s rare for a band to return after 20 years with one of the strongest albums in their catalog, but Ride has done exactly that. Whether you’re a longtime “shoegazer” or new to the genre, this is essential listening.

Check Out The Daytime High

While you’re diving into the classics, don’t miss out on the fresh sounds from The Daytime High! Their self-titled debut album is officially out now, blending classic rock nostalgia with a modern DIY spirit. From the infectious pulse of “Every Single Day” to the moody depths of “Melting,” it’s a sonic journey you need to experience.

Listen here:

Read more at The Daytime High

]]> 6539 The Cure Kyoto Song (Cover by The Daytime High) https://thedaytimehigh.com/the-cure-kyoto-song-cover-by-the-daytime-high/?utm_source=rss&utm_medium=rss&utm_campaign=the-cure-kyoto-song-cover-by-the-daytime-high Thu, 08 Jan 2026 11:00:02 +0000 https://thedaytimehigh.com/?p=6526 Read more at The Daytime High

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The Cure - Kyoto Song (cover by The Daytime High

We’re absolutely thrilled to finally share something we’ve been pouring our hearts into – our cover of The Cure’s hauntingly beautiful “Kyoto Song.” This track holds a special place in our musical journey, and we’ve loved diving deep into its atmospheric world to bring you our own interpretation.

| ORIGINAL SONG CREDITS || “Kyoto Song” — Originally performed by The Cure from the album The Head on the Door (1985). Written by: Robert Smith. All rights belong to the original songwriters and publishers.

 

|| COVER CREDITS || Performance & Production: The Daytime High

Record of the week from 1985

For those unfamiliar, “Kyoto Song” is a gem from The Cure’s 1985 album, “The Head on the Door.” It’s a song that perfectly encapsulates their unique blend of melancholic beauty, ethereal soundscapes, and deeply evocative lyrics. Robert Smith’s songwriting often paints vivid, almost cinematic pictures, and “Kyoto Song” is no exception, conjuring images of ancient traditions, quiet contemplation, and perhaps a touch of longing.

When we decided to tackle this one, we knew we had to respect the original’s delicate balance while still infusing it with The Daytime High’s signature sound. We aimed to capture that classic Cure wistfulness but also explore new sonic textures and emotional nuances. From the moment we started experimenting with the guitar pedals, Dr Robert and Diamond Tremolo, the create a cover that resembles the original but stamps our own personality on it. 

Link to the YouTube video 

Read more at The Daytime High

]]> 6526 Inspired by TDH Album of the week https://thedaytimehigh.com/inspired-by-tdh-album-of-the-week/?utm_source=rss&utm_medium=rss&utm_campaign=inspired-by-tdh-album-of-the-week Sat, 03 Jan 2026 13:00:21 +0000 https://thedaytimehigh.com/?p=6491 Read more at The Daytime High

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Inspired by TDH Album Of The Week

Pedalboard experiments for the TDH Album of the Week

Messing around at home with some pedals at home, this is inspired by a TDH Album of the Week. Doesn’t sound like the original, but can you guess what 80’s track I recorded?

You might know Dr. Robert for its 60s tones, but it turns out it’s the secret weapon for 80s post-punk bite. Pair it with the Diamond Tremolo and you’re instantly transported to a rainy night in 1980-something.

Two pedals that helped bridge the gap between vintage saturation and post-punk atmosphere: the Aclam Dr. Robert and the Diamond Tremolo.

Youtube

Read more at The Daytime High

]]> 6491 TDH ROTW – Supergrass – In It for the Money https://thedaytimehigh.com/tdh-rotw-supergrass-in-it-for-the-money/?utm_source=rss&utm_medium=rss&utm_campaign=tdh-rotw-supergrass-in-it-for-the-money Sat, 03 Jan 2026 12:00:23 +0000 https://thedaytimehigh.com/?p=6476 Read more at The Daytime High

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TDH Record of the Week:
Supergrass – In It for the Money

In the mid-90s, the “Britpop” label was often a double-edged sword. For many bands, it meant a quick rise followed by an even faster “sophomore slump.” But for Supergrass, their second outing didn’t just avoid the slump—it redefined who they were as musicians.

Two years after their high-energy, punky debut I Should Coco, Gaz Coombes and the boys returned in 1997 with In It for the Money. While the title was a tongue-in-cheek nod to Frank Zappa, the music was anything but a cash grab. It was the sound of a band maturing in leaps and bounds, trading some of their “cheeky chappie” energy for a richer, more psychedelic landscape.

The Evolution of the Sound

Widely considered the absolute peak of their discography, In It for the Money captured a young, inspired band right in the middle of their ascension. The record leans heavily into late 90s psych-rock while keeping its Britpop heart beating.

What makes it stand out is the ambition. They decamped to Sawmills Studio in Cornwall with only two songs fully written, allowing the rest of the album to grow from late-night jams and studio experimentation. The result? A record that feels cohesive, textured, and surprisingly heavy.

Supergrass

The Essential Tracks

The Essential Tracks

  • “Richard III”: A snarling, riff-heavy monster. It’s arguably one of the best opening salvos of the era, featuring a menacing tone and a soaring falsetto that proved the band had teeth.

  • “Sun Hits the Sky”: A driving, euphoric anthem that showcases the band’s incredible sense of melody. It’s 50 million watts of pure sunshine filtered through a distorted lens.

  • “Going Out”: The swingiest moment on the album. With its blaring horns and infectious groove, it’s the bridge between their debut’s fun and this record’s sophistication.

Why It Still Matters

While many albums from 1997 feel like time capsules, In It for the Money still explodes with life today. It wasn’t just a collection of singles; it was a masterclass in British rock history—cramming in elements of The Kinks, The Beatles, and punk-pop into 43 minutes of perfection.

If you haven’t revisited this one lately, turn it up loud. This is Britpop at its most inspired and adventurous.

🎧 Listen to the classic: Supergrass – In It for the Money

 

Check out the debut from The Daytime High!
Looking for something fresh that carries that same indie-rock spirit? Our debut is out now.
Listen to The Daytime High

Read more at The Daytime High

]]> 6476 Happy New Year from TDH https://thedaytimehigh.com/happy-new-year-from-tdh/?utm_source=rss&utm_medium=rss&utm_campaign=happy-new-year-from-tdh Thu, 01 Jan 2026 12:00:41 +0000 https://thedaytimehigh.com/?p=6466 Read more at The Daytime High

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The Daytime High would like to wish you a Happy New Year !

We are looking forward to releasing new music in 2026

Read more at The Daytime High

]]> 6466 The Haunting Brilliance of Nick Drake’s ‘Five Leaves Left’ https://thedaytimehigh.com/the-haunting-brilliance-of-nick-drakes-five-leaves-left/?utm_source=rss&utm_medium=rss&utm_campaign=the-haunting-brilliance-of-nick-drakes-five-leaves-left Sat, 27 Dec 2025 12:00:42 +0000 https://thedaytimehigh.com/?p=6457 Read more at The Daytime High

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Record of the Week: The Haunting Brilliance of Nick Drake’s ‘Five Leaves Left

instagram logo Original Instagram Post

In the landscape of 1960s folk, few albums carry as much weight and quiet mystery as Nick Drake’s debut, Five Leaves Left. It is an album that feels like a secret whispered in a crowded room—timeless, deeply personal, and endlessly influential.

The “Sweet Spot” of a Short Legacy

With only three albums in his discography, each of Nick Drake’s records offers a vastly different atmosphere. Five Leaves Left sits in what many fans consider the “sweet spot.” It strikes a perfect balance between the polished, full-band production found later on Bryter Layter and the skeletal, hauntingly stark acoustic work of his final masterpiece, Pink Moon.

In this debut, we hear Drake finding his footing, blending his intricate fingerpicking with just enough orchestral support to elevate the melancholy.

The Kirby Connection and Acoustic Mastery

What makes Five Leaves Left stand the test of time isn’t just Drake’s unique guitar playing—though his tunings were years ahead of their time—it’s the collaboration with arranger Robert Kirby. Kirby’s string arrangements don’t overwhelm the songs; they wrap around Drake’s soulful, whispered vocals like a fog, adding a layer of cinematic beauty to the folk foundation.

Essential Tracks to Spin:

  • “Time Has Told Me”: A warm, rolling opener that showcases Drake’s gentle but firm grasp on melody.

  • “River Man”: Perhaps one of the most haunting songs ever recorded, featuring a 5/4 time signature that feels like water moving in a dark stream.

  • “Way To Blue”: A pure showcase of the power of string arrangements and vocal vulnerability.

Decades later, this record sounds as fresh and engaging as it did the day it was released. It’s a masterclass in how to be “quiet” while saying something incredibly loud.

Read more at The Daytime High

]]> 6457 Record of the Week: The Beautiful, Dark Defiance of Love’s ‘Forever Changes’ https://thedaytimehigh.com/loves-forever-changes/?utm_source=rss&utm_medium=rss&utm_campaign=loves-forever-changes Sat, 20 Dec 2025 12:00:20 +0000 https://thedaytimehigh.com/?p=6438 Read more at The Daytime High

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TDH record of the week: Love - Forever Changes

instagram logo 2022.svg   Original Instagram Post

In the late 60s, the Sunset Strip was a melting pot of “Peace and Love,” but Love’s third studio masterpiece, Forever Changes, proved that even the brightest summers have long shadows. This week, we’re diving into the history of an album that nearly didn’t happen and the friction that turned it into a psychedelic legend.

A Band on the Brink

By 1967, Love was one of the biggest names in Los Angeles, even helping their label-mates The Doors get their start. However, internal tensions were reaching a boiling point. The original lineup was fractured, and the recording sessions for Forever Changes became a battleground for the band’s very survival.

The Session Musician Scare

When the group finally entered the studio, years of “overindulgence” had taken their toll. Engineer Bruce Botnick famously noted that the band members were struggling to perform at a professional level. In a move that shocked the group, leader Arthur Lee and Botnick decided to bring in top-tier session musicians (members of the legendary Wrecking Crew) to track the songs.

This served as a brutal wake-up call. Seeing “outsiders” play their parts upset the band so deeply that they redoubled their efforts, practiced tirelessly, and eventually fought their way back onto the record. That tension is palpable in the music a unique energy that oscillates between lush orchestration and jagged paranoia.

The Sound of "Forever Changing"

Despite the chaos, what emerged was a “baroque-pop” masterpiece. It swapped the heavy garage-rock of their earlier work for intricate acoustic guitars and sweeping horn arrangements.

Essential Listening:

  • “Alone Again Or”: A haunting, flamenco-inspired opener that remains one of the era’s most iconic tracks.

  • “A House Is Not a Motel”: Where the beauty starts to fray at the edges, featuring some of the most aggressive guitar work on the album.

  • “The Red Telephone”: A trippy, existential journey that captures the darker side of the psychedelic experience.

Forever Changes remains a “dark masterpiece” precisely because it refused to buy into the flower-power clichés of the time. It’s an album about mortality, change, and the reality that “forever” is never quite what it seems.

Read more at The Daytime High

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