The Daytime High https://thedaytimehigh.com The Daytime High Tue, 16 Jun 2026 17:19:58 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://i0.wp.com/thedaytimehigh.com/wp-content/uploads/2024/08/cropped-ICON.png?fit=32%2C32&ssl=1 The Daytime High https://thedaytimehigh.com 32 32 214880058 ROTW: Monster Magnet – Dopes To Infinity https://thedaytimehigh.com/rotw-monster-magnet-dopes-to-infinity/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-monster-magnet-dopes-to-infinity Sat, 13 Jun 2026 15:00:32 +0000 https://thedaytimehigh.com/?p=6901 Read more at The Daytime High

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Welcome back to another edition of The Daytime High’s Record of the Week. This week, we are plugging into a stellar high-water mark of stoner rock: Monster Magnet’s 1995 masterpiece, Dopes To Infinity.

This album marked the end of an era, serving as the final record of Monster Magnet’s initial, unadulterated space rock/stoner rock period. Following this release, the band would streamline their sound and image into a more generalized heavy metal style in an attempt to capture a wider commercial audience. But for many fans, Dopes To Infinity remains their absolute creative summit.

Black Sabbath heavy riffs and Hawkwind space jams

If your musical DNA includes a healthy dose of Black Sabbath heavy riffs and Hawkwind space jams, all twisted up with postmodern cynicism and 1960s garage psych, this album was tailor-made for your speakers. Frontman Dave Wyndorf is one of the most criminally underrated songwriters and producers in rock. While every Monster Magnet album boasts some fantastic tracks, Dopes is where the band’s sprawling, psychedelic, heavy vision completely locks into place.

Monster Magnet – Dopes To Infinity

Standout Tracks to Spin:

Ready to blast off? Turn the volume all the way up for these specific highlights:

  • “Dopes To Infinity”

  • “All Friends And Kingdom Come”

  • “Negasonic Teenage Warhead”

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Still Waiting On Album 2 https://thedaytimehigh.com/still-waiting-on-album-2/?utm_source=rss&utm_medium=rss&utm_campaign=still-waiting-on-album-2 Thu, 11 Jun 2026 19:30:21 +0000 https://thedaytimehigh.com/?p=6894 Read more at The Daytime High

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Waiting on album #2

We have all the songs mixed, we are doing some tweaks to get the final mixes done.

Clay Blair at Boulevard Recording have done a fantastic job so far bringing these songs to a level we didn’t think possible. We are excited to share these in the coming months 

Micael Waiting on Album #2

Micael waiting on the album to be completely done ⬆

Our  bass drum light in the Garudio ⬇

Garudio Bass Drum Light
Garudio Como Chingas Way

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ROTW – The Jimi Hendrix Experience – Electric Ladyland https://thedaytimehigh.com/rotw-the-jimi-hendrix-experience-electric-ladyland/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-the-jimi-hendrix-experience-electric-ladyland Mon, 01 Jun 2026 16:19:46 +0000 https://thedaytimehigh.com/?p=6884 Read more at The Daytime High

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Welcome back to another edition of The Daytime High’s Record of the Week. This week, we are looking at an absolute milestone in rock history and studio exploration: Electric Ladyland by The Jimi Hendrix Experience.

The original Experience lineup

As the third and final album to feature the original Experience lineup, the record was captured mostly in America in between tour dates. The sessions are legendary—so much so that original producer Chas Chandler actually quit early on, frustrated by Hendrix’s desire to endlessly jam and experiment in the studio. Because of that shift, Electric Ladyland became the first album produced by Hendrix himself, working closely alongside the legendary engineer Eddie Kramer to capture his vision.

the jimi hendrix experience – electric ladyland

Back in 1968, there had simply never been a rock album with this level of depth and scope. It is a towering artistic achievement that truly has it all: R&B grooves, blistering rock, sprawling blues jams, an iconic Bob Dylan cover, and even a 15-minute sci-fi epic about living underwater after a nuclear war. As musicians who love getting lost in studio textures and finding the right tones, this record stands as the ultimate blueprint for creative freedom.

Standout Tracks to Spin:

There is a lot of ground to cover here, but make sure you don’t miss these highlights:

  • “Crosstown Traffic”

  • “Burning Of The Midnight Lamp”

  • “Voodoo Child (Slight Return)”

  • “1983… (A Merman I Should Turn to Be)”

Read more at The Daytime High

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ROTW – Prince And The Revolution – Purple Rain https://thedaytimehigh.com/rotw-prince-and-the-revolution-purple-rain/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-prince-and-the-revolution-purple-rain Sat, 23 May 2026 12:53:28 +0000 https://thedaytimehigh.com/?p=6854 Read more at The Daytime High

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Record of the Week: Prince And The Revolution – Purple Rain

Welcome back to The Daytime High’s Record of the Week. This week, we’re throwing it back to 1984 with an absolute juggernaut: the soundtrack to Prince’s first full-length film, Purple Rain.

prince purple rain

It is hard to overstate just how massive this album was upon its release. While Prince already had a brilliant catalog, Purple Rain features arguably his most accessible and universally celebrated material. What makes this record stand out from a performance standpoint is the collaborative energy. Prince opened the floor to contributions from his backing band, The Revolution, far more than he had in the past—most notably on the last three tracks of the album, which were actually recorded live.

The combination of elite songwriting and undeniable musicianship on this record is breathtaking. Whether you’re listening to the intricate arrangements or the blistering guitar solos, this is the exact moment the entire world got to know the sheer, unfiltered genius of Prince.

Standout Tracks to Spin:

If you are diving back into this masterpiece, turn it up for these highlights:

  • “Let’s Go Crazy”

  • “Computer Blue”

  • “Darling Nikki”

Read more at The Daytime High

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Record of the Week: The Kinks Are The Village Green Preservation Society https://thedaytimehigh.com/record-of-the-week-the-kinks-are-the-village-green-preservation-society/?utm_source=rss&utm_medium=rss&utm_campaign=record-of-the-week-the-kinks-are-the-village-green-preservation-society Sat, 16 May 2026 17:22:37 +0000 https://thedaytimehigh.com/?p=6845 Read more at The Daytime High

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Record of the Week: The Kinks Are The Village Green Preservation Society

Welcome to this week’s Record of the Week! We are diving into a true classic that took a little time to find its rightful place in rock history: The Kinks’ sixth studio album, The Kinks Are The Village Green Preservation Society.

When it originally dropped in 1968, the album wasn’t exactly a commercial smash. However, time has a funny way of revealing true genius. In the years since its release, it has become universally critically acclaimed and served as a massive, undeniable influence—particularly in shaping the sound of the 1990s Britpop scene. You can easily hear the DNA of this record in bands from Blur to Supergrass.

Ray Davies' Brilliance

What makes this album so enduring is Ray Davies’ brilliant, narrative-driven songwriting. It plays like a loose concept album centered around the charm and quirks of traditional British life. In an era that was heavily dominated by sprawling, psychedelic freak-outs, The Kinks opted for a beautifully direct production style. That refreshing clarity is exactly why it remains such a satisfying listen today. It simply never goes out of style.

Standout Tracks to Spin:

If you are diving in or revisiting the record, make sure to pay special attention to these highlights:

  • “Picture Book”

  • “Big Sky”

  • “Animal Farm”

The Kinks Are The Village Green Preservation Society

Read more at The Daytime High

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Mixing the new album https://thedaytimehigh.com/mixing-the-new-album/?utm_source=rss&utm_medium=rss&utm_campaign=mixing-the-new-album Fri, 15 May 2026 17:25:55 +0000 https://thedaytimehigh.com/?p=6835 Read more at The Daytime High

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We received the first mix!

We received the first song mixed by world-renowned mixer Clay Blair yesterday.  We were very pleasantly surprised by how well the first mix sounded. We can’t wait to share the new music with you guys soon. There will be a vinyl album pressed for our 2nd album.

in the night first mix

From his early days recording in his parents’ basement to playing The Cavern Club at 17 with the world’s youngest Beatles tribute band, Clay’s journey has been driven by an insatiable curiosity about sound. This curiosity led him from touring with his own band, The Treasury, to running Altamont Recording in Asheville, NC, and finally to Los Angeles, where he opened Boulevard Recording in 2011.

 

 Clay’s expertise lies in creating productions that are sonically rich and emotionally resonant. He specializes in retro rock and roll, folk intimacy, and smart pop sensibilities, all infused with authentic 60’s and 70’s vibes. His secret weapon? An encyclopedic knowledge of recording techniques combined with state-of-the-art technology, allowing him to recreate the sound of any era with pinpoint accuracy.

boulevard recording

At Boulevard Recording, Clay Blair offers a suite of services designed to elevate your music to its fullest potential. With a Grammy award under his belt and decades of experience spanning from classic analog to cutting-edge digital, Clay brings a unique blend of vintage expertise and modern innovation to every project.

Read more at The Daytime High

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Thursday Night Creative Process https://thedaytimehigh.com/thursday-night-creative-process/?utm_source=rss&utm_medium=rss&utm_campaign=thursday-night-creative-process Thu, 30 Apr 2026 18:09:41 +0000 https://thedaytimehigh.com/?p=6827 Read more at The Daytime High

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In the vocal booth

We get together almost every Thursday to create music, we are currently mixing our 2nd album.

Recording Process
Guitars

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ROTW – The Stooges – Funhouse https://thedaytimehigh.com/rotw-the-stooges-funhouse/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-the-stooges-funhouse Sat, 31 Jan 2026 12:00:58 +0000 https://thedaytimehigh.com/?p=6571 Read more at The Daytime High

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Record of the Week: The Stooges – Funhouse

Before the safety pins and the mohawks of the late 70s, there was Iggy Pop and The Stooges. While they are rightfully celebrated as the godfathers of proto-punk, their second album, Funhouse, proves they were much more than just a loud garage band.

Raw Energy Captured Live

Recorded at Elektra Studios right here in Los Angeles, Funhouse wasn’t built through meticulous overdubbing. The band recorded the album live, focusing on one song per day to capture the raw, unhinged energy of their live performances. The result is an album that feels dangerous, intense, and dripping with attitude.

A Fusion of Chaos

What makes Funhouse a masterpiece is its sonic depth. Beyond the iconic riffs, you’ll find a swirl of psychedelic exploration and, in tracks like “L.A. Blues,” a stark free-jazz influence that pushes the music into the stratosphere. It’s a primal scream captured on tape—a sonic blueprint for every “alternative” movement that followed.

Essential Listening

If you want to experience the power of The Stooges at their peak, start with these highlights:

  • “Down On The Street”: A heavy, grooving opener that sets a gritty urban tone.

  • “Loose”: Pure, high-octane rock and roll energy.

  • “TV Eye”: Featuring one of the most ferocious vocal performances and guitar riffs in history.

💿 Get Loud with The Daytime High

Influenced by the raw spirit of the greats, the debut album from The Daytime High is out now! We’re keeping the DIY energy alive with our own blend of heavy riffs and modern melody. Give us a listen and let us know what you think.

Listen here:

Read more at The Daytime High

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ROTW – Joy Division – Closer https://thedaytimehigh.com/rotw-joy-division-closer/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-joy-division-closer Sat, 24 Jan 2026 12:00:52 +0000 https://thedaytimehigh.com/?p=6556 Read more at The Daytime High

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Record of the Week: Joy Division – Closer

Choosing between Joy Division’s two full-length studio albums is nearly impossible; both are absolute masterpieces of post-punk perfection. However, Closer—released shortly after the band’s tragic end—remains one of the most powerful and atmospheric records ever pressed to vinyl.

 

The Sound of Post-Punk Perfection

A huge part of the album’s haunting legacy is due to the legendary production of Martin Hannett. His techniques were unique and evocative, creating a cold, spacious soundscape that felt light-years ahead of its time. Interestingly, despite the album’s status today, some band members initially wished for a rawer, “Sex Pistols” style energy. Instead, Hannett’s vision gave us a sonic architecture that redefined alternative music.

Chilling and Timeless

The lyrics are haunting in any context, but knowing the tragic fate of singer Ian Curtis makes them that much more chilling. It’s an album that demands to be heard in its entirety, capturing a moment of profound artistic transition.

Essential Listening

While the album is a cohesive journey, these tracks stand as definitive highlights:

  • “Isolation”: A synth-driven track that masks deep loneliness with a driving, cold pulse.

  • “A Means To An End”: Featuring a relentless rhythm section and jagged guitar work.

  • “Twenty Four Hours”: A devastatingly intense performance that showcases the band’s raw emotional power.

💿 Discover The Daytime High

If you appreciate the moody depths of post-punk and classic rock, be sure to check out the debut album from The Daytime High! It’s our take on the sounds that move us, and we’d love for you to give it a spin.

Listen here:

Read more at The Daytime High

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ROTW – Can – Tago Mago https://thedaytimehigh.com/rotw-can-tago-mago/?utm_source=rss&utm_medium=rss&utm_campaign=rotw-can-tago-mago Sat, 17 Jan 2026 12:20:49 +0000 https://thedaytimehigh.com/?p=6546 Read more at The Daytime High

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Hailing from Cologne, Germany, Can didn’t just make music; they constructed sonic landscapes. Their second studio album, Tago Mago (originally released in 1971), is widely regarded as their most influential work and a cornerstone of the “krautrock” genre.

The Art of the Hypnotic Groove

Recorded in a rented castle, Tago Mago captured a band at the peak of their improvisational powers. Featuring the legendary Damo Suzuki on vocals, the album blends experimental psychedelic instrumentation—reminiscent of Pink Floyd’s late-60s space-rock—with deep, metronomic rhythms.

It’s no surprise that this record has been sampled countless times by hip-hop producers and electronic artists alike. The seven tracks on this double album are designed to pull you into a trance, taking you straight into the stratosphere if you’re willing to let the groove take over.

Essential Listening

If you’re new to the world of Can, start with these highlights:

  • “Paperhouse”: A perfect introduction that builds from a gentle shimmer into a frantic, driving rock anthem.

  • “Mushroom”: Short, moody, and featuring a legendary beat that defines the band’s “minimalist” cool.

  • “Halleluhwah”: An 18-minute masterclass in funk-infused krautrock. It is, quite simply, one of the greatest rhythm tracks ever recorded.

🎵 Stay Tuned with TDH

Want to keep up with our weekly rotations? We’ve gathered all our favorites in one place. Check out our TDH Record Of The Week playlist on Spotify to discover more gems like this one!

Listen here:

Read more at The Daytime High

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