The Daytime High

ROTW – Prince And The Revolution – Purple Rain

admin — Sat, 23 May 2026 12:53:28 +0000

Record of the Week: Prince And The Revolution – Purple Rain

Welcome back to The Daytime High’s Record of the Week. This week, we’re throwing it back to 1984 with an absolute juggernaut: the soundtrack to Prince’s first full-length film, Purple Rain.

It is hard to overstate just how massive this album was upon its release. While Prince already had a brilliant catalog, Purple Rain features arguably his most accessible and universally celebrated material. What makes this record stand out from a performance standpoint is the collaborative energy. Prince opened the floor to contributions from his backing band, The Revolution, far more than he had in the past—most notably on the last three tracks of the album, which were actually recorded live.

The combination of elite songwriting and undeniable musicianship on this record is breathtaking. Whether you’re listening to the intricate arrangements or the blistering guitar solos, this is the exact moment the entire world got to know the sheer, unfiltered genius of Prince.

Standout Tracks to Spin:

If you are diving back into this masterpiece, turn it up for these highlights:

“Let’s Go Crazy”
“Computer Blue”
“Darling Nikki”

Listen to the Album on Spotify:

Read more at The Daytime High

Record of the Week: The Kinks Are The Village Green Preservation Society

admin — Sat, 16 May 2026 17:22:37 +0000

Record of the Week: The Kinks Are The Village Green Preservation Society

Welcome to this week’s Record of the Week! We are diving into a true classic that took a little time to find its rightful place in rock history: The Kinks’ sixth studio album, The Kinks Are The Village Green Preservation Society.

When it originally dropped in 1968, the album wasn’t exactly a commercial smash. However, time has a funny way of revealing true genius. In the years since its release, it has become universally critically acclaimed and served as a massive, undeniable influence—particularly in shaping the sound of the 1990s Britpop scene. You can easily hear the DNA of this record in bands from Blur to Supergrass.

Ray Davies' Brilliance

What makes this album so enduring is Ray Davies’ brilliant, narrative-driven songwriting. It plays like a loose concept album centered around the charm and quirks of traditional British life. In an era that was heavily dominated by sprawling, psychedelic freak-outs, The Kinks opted for a beautifully direct production style. That refreshing clarity is exactly why it remains such a satisfying listen today. It simply never goes out of style.

Standout Tracks to Spin:

If you are diving in or revisiting the record, make sure to pay special attention to these highlights:

“Picture Book”
“Big Sky”
“Animal Farm”

Listen to the Album on Spotify

Read more at The Daytime High

Mixing the new album

admin — Fri, 15 May 2026 17:25:55 +0000

We received the first mix!

We received the first song mixed by world-renowned mixer Clay Blair yesterday. We were very pleasantly surprised by how well the first mix sounded. We can’t wait to share the new music with you guys soon. There will be a vinyl album pressed for our 2nd album.

About Clay Blair

From his early days recording in his parents’ basement to playing The Cavern Club at 17 with the world’s youngest Beatles tribute band, Clay’s journey has been driven by an insatiable curiosity about sound. This curiosity led him from touring with his own band, The Treasury, to running Altamont Recording in Asheville, NC, and finally to Los Angeles, where he opened Boulevard Recording in 2011.

Clay’s expertise lies in creating productions that are sonically rich and emotionally resonant. He specializes in retro rock and roll, folk intimacy, and smart pop sensibilities, all infused with authentic 60’s and 70’s vibes. His secret weapon? An encyclopedic knowledge of recording techniques combined with state-of-the-art technology, allowing him to recreate the sound of any era with pinpoint accuracy.

At Boulevard Recording, Clay Blair offers a suite of services designed to elevate your music to its fullest potential. With a Grammy award under his belt and decades of experience spanning from classic analog to cutting-edge digital, Clay brings a unique blend of vintage expertise and modern innovation to every project.

Read more at The Daytime High

Thursday Night Creative Process

admin — Thu, 30 Apr 2026 18:09:41 +0000

Thursday Night Creative Process

We get together almost every Thursday to create music, we are currently mixing our 2nd album.

Read more at The Daytime High

ROTW – The Stooges – Funhouse

admin — Sat, 31 Jan 2026 12:00:58 +0000

Record of the Week: The Stooges – Funhouse

Before the safety pins and the mohawks of the late 70s, there was Iggy Pop and The Stooges. While they are rightfully celebrated as the godfathers of proto-punk, their second album, Funhouse, proves they were much more than just a loud garage band.

Raw Energy Captured Live

Recorded at Elektra Studios right here in Los Angeles, Funhouse wasn’t built through meticulous overdubbing. The band recorded the album live, focusing on one song per day to capture the raw, unhinged energy of their live performances. The result is an album that feels dangerous, intense, and dripping with attitude.

A Fusion of Chaos

What makes Funhouse a masterpiece is its sonic depth. Beyond the iconic riffs, you’ll find a swirl of psychedelic exploration and, in tracks like “L.A. Blues,” a stark free-jazz influence that pushes the music into the stratosphere. It’s a primal scream captured on tape—a sonic blueprint for every “alternative” movement that followed.

Essential Listening

If you want to experience the power of The Stooges at their peak, start with these highlights:

“Down On The Street”: A heavy, grooving opener that sets a gritty urban tone.
“Loose”: Pure, high-octane rock and roll energy.
“TV Eye”: Featuring one of the most ferocious vocal performances and guitar riffs in history.

Get Loud with The Daytime High

Influenced by the raw spirit of the greats, the debut album from The Daytime High is out now! We’re keeping the DIY energy alive with our own blend of heavy riffs and modern melody. Give us a listen and let us know what you think.

Listen here:

Read more at The Daytime High

ROTW – Joy Division – Closer

admin — Sat, 24 Jan 2026 12:00:52 +0000

Record of the Week: Joy Division – Closer

Choosing between Joy Division’s two full-length studio albums is nearly impossible; both are absolute masterpieces of post-punk perfection. However, Closer—released shortly after the band’s tragic end—remains one of the most powerful and atmospheric records ever pressed to vinyl.

The Sound of Post-Punk Perfection

A huge part of the album’s haunting legacy is due to the legendary production of Martin Hannett. His techniques were unique and evocative, creating a cold, spacious soundscape that felt light-years ahead of its time. Interestingly, despite the album’s status today, some band members initially wished for a rawer, “Sex Pistols” style energy. Instead, Hannett’s vision gave us a sonic architecture that redefined alternative music.

Chilling and Timeless

The lyrics are haunting in any context, but knowing the tragic fate of singer Ian Curtis makes them that much more chilling. It’s an album that demands to be heard in its entirety, capturing a moment of profound artistic transition.

Essential Listening

While the album is a cohesive journey, these tracks stand as definitive highlights:

“Isolation”: A synth-driven track that masks deep loneliness with a driving, cold pulse.
“A Means To An End”: Featuring a relentless rhythm section and jagged guitar work.
“Twenty Four Hours”: A devastatingly intense performance that showcases the band’s raw emotional power.

Discover The Daytime High

If you appreciate the moody depths of post-punk and classic rock, be sure to check out the debut album from The Daytime High! It’s our take on the sounds that move us, and we’d love for you to give it a spin.

Listen here:

Read more at The Daytime High

ROTW – Can – Tago Mago

admin — Sat, 17 Jan 2026 12:20:49 +0000

Can - Tago Mago

Hailing from Cologne, Germany, Can didn’t just make music; they constructed sonic landscapes. Their second studio album, Tago Mago (originally released in 1971), is widely regarded as their most influential work and a cornerstone of the “krautrock” genre.

The Art of the Hypnotic Groove

Recorded in a rented castle, Tago Mago captured a band at the peak of their improvisational powers. Featuring the legendary Damo Suzuki on vocals, the album blends experimental psychedelic instrumentation—reminiscent of Pink Floyd’s late-60s space-rock—with deep, metronomic rhythms.

It’s no surprise that this record has been sampled countless times by hip-hop producers and electronic artists alike. The seven tracks on this double album are designed to pull you into a trance, taking you straight into the stratosphere if you’re willing to let the groove take over.

Essential Listening

If you’re new to the world of Can, start with these highlights:

“Paperhouse”: A perfect introduction that builds from a gentle shimmer into a frantic, driving rock anthem.
“Mushroom”: Short, moody, and featuring a legendary beat that defines the band’s “minimalist” cool.
“Halleluhwah”: An 18-minute masterclass in funk-infused krautrock. It is, quite simply, one of the greatest rhythm tracks ever recorded.

Stay Tuned with TDH

Want to keep up with our weekly rotations? We’ve gathered all our favorites in one place. Check out our TDH Record Of The Week playlist on Spotify to discover more gems like this one!

Listen here:

Read more at The Daytime High

ROTW – Ride – Weather Diaries

admin — Sat, 10 Jan 2026 12:00:38 +0000

Record of the Week: Ride – Weather Diaries

After a hiatus spanning over two decades, the Oxford legends Ride didn’t just return; they reclaimed their throne. Their 2017 comeback album, Weather Diaries, stands as a monumental achievement, proving that the pioneers of shoegaze still have plenty of nectar left in the tank.

Bridging the Gap: From Nowhere to Now

For many fans, the “classic” era of Ride is defined by the ethereal textures of Nowhere and the propulsive energy of Going Blank Again. Weather Diaries serves as the spiritual successor to those records, successfully pulling their signature wall-of-sound into the modern era. Produced by Erol Alkan, the album strikes a perfect balance between the band’s shoegaze roots and a polished, contemporary rock edge.

The Standout Moments

While the entire record is a masterclass in atmosphere, a few tracks demand immediate attention:

“Lannoy Point”: A sprawling opener that sets the tone with its driving rhythm and shimmering guitar layers.
“Lateral Alice”: A short, sharp burst of energy that reminds us of the band’s grit.
“Rocket Silver Symphony”: A psychedelic journey that showcases the band’s growth and experimentation.

It’s rare for a band to return after 20 years with one of the strongest albums in their catalog, but Ride has done exactly that. Whether you’re a longtime “shoegazer” or new to the genre, this is essential listening.

Check Out The Daytime High

While you’re diving into the classics, don’t miss out on the fresh sounds from The Daytime High! Their self-titled debut album is officially out now, blending classic rock nostalgia with a modern DIY spirit. From the infectious pulse of “Every Single Day” to the moody depths of “Melting,” it’s a sonic journey you need to experience.

Listen here:

Read more at The Daytime High

The Cure Kyoto Song (Cover by The Daytime High)

admin — Thu, 08 Jan 2026 11:00:02 +0000

The Cure - Kyoto Song (cover by The Daytime High

We’re absolutely thrilled to finally share something we’ve been pouring our hearts into – our cover of The Cure’s hauntingly beautiful “Kyoto Song.” This track holds a special place in our musical journey, and we’ve loved diving deep into its atmospheric world to bring you our own interpretation.

| ORIGINAL SONG CREDITS || “Kyoto Song” — Originally performed by The Cure from the album The Head on the Door (1985). Written by: Robert Smith. All rights belong to the original songwriters and publishers.

|| COVER CREDITS || Performance & Production: The Daytime High

Record of the week from 1985

For those unfamiliar, “Kyoto Song” is a gem from The Cure’s 1985 album, “The Head on the Door.” It’s a song that perfectly encapsulates their unique blend of melancholic beauty, ethereal soundscapes, and deeply evocative lyrics. Robert Smith’s songwriting often paints vivid, almost cinematic pictures, and “Kyoto Song” is no exception, conjuring images of ancient traditions, quiet contemplation, and perhaps a touch of longing.

When we decided to tackle this one, we knew we had to respect the original’s delicate balance while still infusing it with The Daytime High’s signature sound. We aimed to capture that classic Cure wistfulness but also explore new sonic textures and emotional nuances. From the moment we started experimenting with the guitar pedals, Dr Robert and Diamond Tremolo, the create a cover that resembles the original but stamps our own personality on it.

Link to the YouTube video

Read more at The Daytime High

Inspired by TDH Album of the week

admin — Sat, 03 Jan 2026 13:00:21 +0000

Inspired by TDH Album Of The Week

Pedalboard experiments for the TDH Album of the Week

Messing around at home with some pedals at home, this is inspired by a TDH Album of the Week. Doesn’t sound like the original, but can you guess what 80’s track I recorded?

You might know Dr. Robert for its 60s tones, but it turns out it’s the secret weapon for 80s post-punk bite. Pair it with the Diamond Tremolo and you’re instantly transported to a rainy night in 1980-something.

Two pedals that helped bridge the gap between vintage saturation and post-punk atmosphere: the Aclam Dr. Robert and the Diamond Tremolo.

Read more at The Daytime High